#Detune for mac free windows 7#
This feature is excellent for creating artificial harmonies during a live performance.ĭevious Machines Pitch Monster is available for Windows 7 or higher 32-bit and 64-bit and macOS 10.9 to higher 64-bit only. You can perform the chords using automation. Similarly, Chord mode lets you play multiple notes simultaneously.įurthermore, a Chord Memory feature lets you save up to eight chords. The normal mode is merely a pitch shifter, whereas the Midi mode allows you to control the pitch using midi input with an optional glide feature. Pitch Monster features three modes of performance: Normal, Midi, and Chord. However, if you want to get creative and produce melodies for vocal chops, try the vocode mode. It sounds the most natural for monophonic vocals. I suggest using the Forbmant mode for general voice editing and creating harmonies.
Formant changes the pitch of the vowel and the consonant separately, whereas Vocode flattens vibrato. Conversely, the latter two engines are better suited for solo vocals. The Granular Engine is suitable for any kind of audio, and you can even adjust the granule size. The plugin features three pitch-shifting engines: Granular, Formant, and Vocode. Similarly, it can create eight-voice harmony, with each voice capable of eight unison voices. This flexibility makes Pitch Monster an unbeatable tool for sound designing. The plugin can change pitch up to six octaves from the original key. Furthermore, Pitch Monster often sounds better than other pitch-shifting plugins even when comparing the same functions thanks to its granular pitch-shifting engine. Devious Machines Pitch Monster (All-Round Pitch Shifter)Ĭreate stacks of harmonies or pitch-shift beyond recognition with this versatile plugin.ĭespite a simplistic interface, Pitch Monster lives up to its name with features beyond what you’d expect from similar plugins. What is the difference between pitch correction and autotune?.How Can I Speed Up My Recording Without Changing The Pitch?.How Do You Pitch Shift Without Slowing Down?.
Where does a pitch shifter go in a chain?.Freakshow Industries DUMPSTER FIRE (For Sound Design)
Soundtoys Little AlterBoy (Designed For Vocals 2) Boz Digital Labs ProVocative (Easiest To Use) Eventide MicroPitch (Pitch Shifter, Chorus, Delay) Devious Machines Pitch Monster (All-Round Pitch Shifter) We soon realized what was happening to our new baby: It was looking more and more like its true father, a famous 5-voice polyphonic synthesizer from the same company born in 1978. A few cuts were inevitable (for instance in Repro-1, oscillator B can modulate its own pulse width, which we gladly dropped from Repro-5). It seemed that people liked Repro-1 so much, they wanted more… Would we please consider making it polyphonic?Īfter umming and ahing about the idea, we decided to give it our best. Repro-5 adds new dimensions to the familiar classic sound while keeping analogue authenticity front and centre.įirst we released Repro-1, a faithful component-level model of what was perhaps the mostpowerful-sounding monophonic keyboard ever built. Keep it lush, or go for thick detuned unison leads. First: it's polyphonic! Play rich pads, shape them using the resonant lowpass filter, drive the polyphonic distortion unit as hard as you like, and finally polish your sound with five built-in effects. Repro-5 shares a lot of sonic DNA with Repro-1, but adds new flavours and characteristics. Despite its molded plastic panel and the limitations of monophony, it sold surprisingly well and is generally recognized as an iconic piece of synthesizer history. The circuit design made good use of standard Curtis chips and the little onboard sequencer was more than just a welcome extra. Fat drones, cutting leads, funky basses, quirky sci-fi sound effects – this synthesizer delivered on all counts. To be commercially viable, any new monophonic instrument had to be cheap but very capable. In the early 1980s, polyphonic synthesizers were almost within reach of the average musician. The plug-in is a component-level model of perhaps the most powerful-sounding monophonic keyboard ever built. Hard working, raw sounding and immediately playable, it's a simple and intuitive synthesizer which belies a deep feature set capable of a wide range of sounds. Repro-1 is a fierce monosynth: The classic design gives you immediate access to all the raw power: Two oscillators, self-oscillating 4-pole lowpass filter, arpeggiator, step sequencer, the unique modulation section, and five stomp-box effects which can be arranged in any order.
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